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Poor Things: A Twisted Fairytale of Enchantment

Stephanie Zacharek’s recent review of Yorgos Lanthimos’ film, Poor Things, highlights its unique blend of genres, combining elements of dance, gothic fairytales, and philosophical exploration. The film, starring Emma Stone as Bella Baxter, explores themes of transformation, the capacity for change, and the pursuit of kindness in a world that often lacks it. Lanthimos, known for his dour and deadpan storytelling, takes a fresh approach with Poor Things, creating an opulent and optimistic masterpiece that captivates audiences.

Bella Baxter: A Frankengirl’s Journey

At the heart of Poor Things is the character of Bella Baxter, superbly portrayed by Emma Stone. Bella, an ungainly and childlike woman under the care of a mad surgeon named Dr. Godwin Baxter (played by Willem Dafoe), is a product of Dr. Baxter’s scientific experiments. With the brain of a just-learning-to-speak toddler and still developing motor skills, Bella’s physicality is both bizarre and beautiful. Stone’s performance is captivating, drawing the audience in and evoking both awe and empathy.

As Poor Things unfolds, Bella’s journey takes her from being an oddity confined to her father’s Victorian house to discovering newfound words and desires, ultimately leading her to embrace her independence. The film presents Bella as a symbol of the transformative power of self-discovery and the potential for personal growth.

Love, Independence, and the Fragile Male Ego

As Bella’s character evolves, she encounters various individuals, including Max McCandles (played by Ramy Youssef) and Duncan Wedderburn (played by Mark Ruffalo). McCandles, a mild-mannered and caring student, displays genuine affection for Bella, leading Dr. Baxter to consider marrying them. However, Bella’s sexual awakening, facilitated by Wedderburn, challenges societal norms and exposes the fragile male ego.

Bella’s sexual desires and developing independence become a source of power that enables her to break free from the control of others. Her journey takes her through an erotic adventure in Lisbon, where she discovers pleasures she never experienced before. Through her experiences, Bella gains financial autonomy and ultimately sets her sights on becoming a doctor.

Exploring Social Values and Women’s Sexual Freedom

Poor Things delves into the social value of women’s sexual freedom and the restraints placed on women in Victorian society. This exploration resonates with the works of Thomas Hardy and D.H. Lawrence, who tackled similar themes in their writings. Lanthimos uses the story of Bella Baxter to challenge societal norms and highlight the transformative potential of embracing one’s desires and passions.

Aesthetic Delights: From Tim Burton to Victoriana

The visual and artistic elements of Poor Things are a feast for the eyes. Cinematographer Robbie Ryan, who previously collaborated with Lanthimos on The Favourite, creates a grand and dreamy Beaux Arts aesthetic reminiscent of early Tim Burton films. The production design by Shona Heath and James Price amplifies the film’s opulence, while Holly Waddington’s costumes, blending elements of space-age futurism with Victorian fashion, are extraordinary.

The Unexpected Tenderness of Poor Things

One of the most surprising aspects of Poor Things is the tenderness displayed in its ending. Lanthimos deviates from his previous works, presenting a more hopeful and compassionate resolution. The transformation of the director himself into a hero within his own fairytale speaks to the power of self-reflection and the importance of finding beauty in even the most unconventional characters.

Conclusion

Poor Things, with its unique blend of genres, stunning performances, and philosophical exploration, is a standout film that defies expectations. It challenges societal norms, embraces the transformative power of self-discovery and personal growth, and reminds us of the importance of kindness and empathy in a world that often lacks them. Lanthimos’ evolution as a director is evident in this masterpiece, and Emma Stone’s captivating performance as Bella Baxter is a testament to her talent and versatility. Poor Things is a film that will leave audiences both enchanted and contemplative, proving once again that cinema has the power to provoke thought and inspire change.