In the first two episodes, we see Catherine stab Peter’s lookalike in a moment of confusion and rage, which sets off a chain of events that keep us on the edge of our seats. Despite this, Peter and Catherine attend couples counseling with a marriage witch, and the witch’s efforts, while mildly successful, can’t really fix the problem at the core of their relationship. The episodes are full of unexpected twists and turns, such as Peter inventing flavored salt or introducing the punishment of “the bullet or the bear.”
As the events of the episodes unfold, we see characters shifting their allegiances and making tough choices. Marial, who was once Catherine’s best friend, is on shaky ground with her, and we see Maxim, Marial’s child husband, demand that she act more respectfully. Meanwhile, the British and American ambassadors are fighting for Russia’s support, and Catherine must navigate this political landscape with her idealism in one hand and realism in the other.
The show is a great character study, and we see the characters at their best and worst throughout the episodes. While some characters are more likable than others, the show’s strength lies in the complexity of its characters and the contrast between them. The Great is a rollercoaster of a show, and the season 3 premiere doesn’t disappoint.
In conclusion, The Great’s season 3 premiere offers a lot of philosophical discussion material, particularly around the dichotomy of the characters and their motivations. The show’s unpredictable twists and turns keep viewers on the edge of their seats, and the strong character development is a testament to its excellent writing and acting. While some viewers may find certain characters more appealing than others, the show’s strength lies in its complex and contrasting portrayals of psychopathy and idealism. Overall, The Great’s season 3 premiere is a must-watch for fans of the show and anyone interested in character analysis and philosophical discussions.
<< photo by Arthur Mazi >>
